​’Certainement la plus belle satisfaction musicale du festival. Le rebond rythmique impulsé par les attaques sèches virevolte à travers tout l’ensemble en un élan véritablement symphonique, mettant en valeur un Vivaldi tour à tour enjoué, extraverti et optimiste.’ – ConcertoNet

 

‘The sheer inventiveness of Telemann’s writing, and his ability to absorb the technical and musical aspects of each instrument, was very evident. I was impressed with their sense of rhetorical freedom.’Andrew Benson Wilson

 

‘The bassoon part of Vivaldi’s remarkable Chamber Concerto in G for recorder, oboe, bassoon and basso continuo is massively demanding, and was despatched with real aplomb by Tomasz Wesolowski. Ensemble work was particularly fine in the finale. It was balanced by the lighter D major Chamber Concerto for recorder, violin, oboe and bassoon (superb virtuoso violin playing by Sara DeCorso). Finally, the deliciously carefree “La Pastorella” Chamber Concerto from Vivaldi. The recorder/bassoon interactions (d’Avena and Wesolowski) brought particular joy.’Seen and Heard International

‘La précision des échanges entre les vents […] et le basson très inspiré de Tomasz Wesolowski, auquel répond le violoncelle très émouvant de Rebecca Rosen. Le largo du Concerto en ré majeur de Vivaldi donne lieu à une brillante démonstration de cordes grattées par la violoniste Sara DeCorso.’ – Baroquiades